Check it. This is the Buddha. Well, sort of…:

Actually, it’s “The Buddha Before he Got Enlightened.” Or so says Jon Haward, the creator of the comic Wasted and his “Tales of the Buddha Before He Got Enlightened.” Of course, Haward didn’t “create” the Buddha, and indeed, this “fat Buddha” is not really based on the historical Buddha but on the Buddhist figure Hotei. (A very common mistake, as longtime readers of the Horse have seen.)

The above comic cover was drawn by Simon Bisley, longtime collaborator of Glenn Danzig. So it turns out there’s just one degree of separation between Danzig and Buddha. (That is, one degree other than me.) …Who knew?

I haven’t seen this comic at my fantastic local comix shop. (All hail HUB Comics!) But I’ll see if I can grab one and check it out. In the meantime, you can preview this clearly irreverent new comic here.

That’s right, and congratulations should go not only to him but to the United States for honoring such a talent, and yes, a dharmic force. For those of you who didn’t know about Merwin’s connection to Buddhism, quoth The Poetry Foundation:

“Merwin moved to Hawaii to study Zen Buddhism in 1976. He eventually settled in Maui and began to restore the forest surrounding his former plantation. Both the rigor of practicing Buddhism and the tropical landscape have greatly influenced Merwin’s later style.”

Read about his appointment to US Poet Laureate at the Library of Congress website, here.

A real quick Hulu clip from the Today Show — about a sculptor making Buddhas from cardboard.

With the news that Twin Peaks — David Lynch and Mark Frost’s unlikely ABC smash hit — is celebrating its 20th anniversary, now seems like a fine time to re-present this appreciation from the Horse’s archives. Enjoy.

A MAN LAYS DYING on the floor of a jail cell between two mountains of the Pacific Northwest. Not even two weeks ago, despite his middle-age, he’d had a head of youthfully dark hair; now, it is completely, shockingly, all-white. The sprinkler system of the sheriff’s department that holds him has been set off, creating the effect of a tumultuous indoor downpour that rains down upon the white-haired man and his captors.

One of his captors — the very one who has most doggedly pursued him — is kneeling down. The white-haired man has committed the kind of unthinkable crimes that would disgust and shake most of us to the core, but Special Agent Dale Cooper instead remains very much with the moment. He holds the white-haired man, stroking his hair, comforting him even as the horrors of his crimes are finally admitted between last gasps. Then, Cooper speaks. The words come to him naturally:

“Leland,” he says, “the time has come for you to seek the path. Your soul has set you face to face with the clear light and you are now about to experience it in all its reality, wherein all things are like the void and cloudless sky, and the naked, spotless intellect is like a transparent vacuum, without circumference or center. Leland, in this moment, know yourself, and abide in that state. . . Look to the light, Leland. Find the light.”

Though spoken as much from the heart as from the head, Coop’s words are not truly his own. Compare them with this famous passage from The Tibetan Book of the Dead, meant to be recited to the dying as they pass on:

“O, nobly-born [so and so by name], the time hath now come for thee to seek the Path [in reality]. Thy breathing is about to cease. Thy guru hath set thee face to face before with the Clear Light; and now thou art about to experience in its Reality in the Bardo state, wherein all things are like the void and cloudless sky, and the naked, spotless intellect is like unto a transparent vacuum without circumference or centre. At this moment, know thou thyself, and abide in that state.” [W.Y. Evans-Wentz (translator and editor), The Tibetan Book of the Dead (Oxford, Third edition, 1957)]

Leland, though in his final moment, is surprised, almost smiling, in response to Coop’s urging that he find the light: “I see it!”

“Into the light, Leland,” Coop says, ” Don’t be afraid.”

And with that, Leland Palmer is dead.

It’s unusually moving; hardly your typical primetime TV jailhouse scene.

But this is no ordinary jailhouse, and it’s certainly not ordinary TV.

This is Twin Peaks, where nothing — not family, not FBI-men, not even the owls in the trees — is as it seems. (more…)

Check this out:

So, what is it? io9 has the report, and a couple more samples (including Spider-Man and Ultraman). (And no, “Buddhist comic geek” is not a slam. I’m one of’ em.)

Shep Fairey — he of the ubiquitous Obama poster, the ubiquitous Obey Giant street-art campaign,  and countless other works, has now portrayed the Dalai Lama in this new portrait, Compassion.

You may recall that Fairey recently portrayed Aung San Suu Kyi as well.

Done to celebrate His Holiness’s 75th birthday, Compassion is available from Fairey’s website, and net proceeds will be split between Tibet House and LA Friends of Tibet. (The Dalai Lama’s birthday is on July 6.)

Of the piece, Fairey says:

“I’ve always had great admiration for His Holiness and his non-violent approach to the plight of the Tibetan people. When I was approached with the opportunity to work with this beautiful image as a sanctioned source and create a work that evokes the Dalai Lama’s presence as I feel it, I was thrilled. I hope His Holiness remains a presence of compassion in the world for many birthdays to come!”

Compassion goes on sale at “a random time” today, here. Only 500 will be available, so hurry. UPDATE: all 500 copies have already sold out as of early this afternoon.

Another small update: You might also like seeing this Burmese monk from the Obey archives.

Thanks to Born Infinite for the tip.

See the website of the great Beautiful/Decay magazine. And let the Horse know what you think.

Hat tip to kin.

Evan Brenner’s one-man play, “The Buddha: In His Own Words” will play in Cambridge, MA (after several successful runs elsewhere) on Sunday, October 4th. The play has been praised by the likes of The Boston Globe, The Boston Herald, and Dr. Mark Epstein — and, just as good, proceeds go to that most venerable of institutions, the great Cambridge Insight Meditation Center.

Here are the details about getting tickets:

Date: Sunday, October 4, 2009
Time: 7pm – 9pm
Location: Cambridge YMCA Theatre
820 Massachusetts Avenue, Cambridge MA02139
Tickets Available: 1-800-838-3006 or: http://www.brownpapertickets.com/event/73386

And, here’s a clip:

I’ll let the image do the talking for a moment here:

Beautiful, ain’t it?

In case you didn’t know: it’s a portrait of Aung San Suu Kyi, imprisoned leader of the National League for Democracy in Burma, as rendered by the great Shepard Fairey. You know, he of the Obama “Hope” poster, the famous “Obey/Giant” campaign, and a zillion other things.

I for one feel that we’re quite fortunate that the attentions and talents of so gifted a visual communicator are being applied to something that so many people in our community care so deeply about.

(If you’re reading this right now, you’re part of that community. At least that’s how I see it.)

The Obama/Hope image, which became truly ubiquitous, is only one example of how much real, capital-H Hope — and possibility – a good image can convey. And it seems that, more and more, this is becoming Fairey’s stock in trade. Though he can paint a bleak — but often necessary — picture with some of his images, he does “Hope” very, very well.

He sure has here, hasn’t he? And I think when it comes to Aung San Suu Kyi, the more Hope we can muster, the better.

Thought you might appreciate this one — a sign (or rather, a painting of one) from artist Nathan Nadeau’s show in Providence, RI, called Time of the Signs. According to writer Bill Van Siclen, it:

“advertises something called the Samsara Motel, a place where ‘you come back over and over again.’ While the sign’s blinking lights and mid-century design conjure up images of the Vegas Strip, circa 1955, the name of the hotel points in a very different direction. (In Buddhism, ’samsara’ refers to the cycle of life, death and rebirth that precedes nirvana.)”

The show can be found at Wolcott Eco Office, at 28 Wolcott Street in Providence.